Kunstwerken niki de saint phalle biography
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Niki de Saint Phalle was born in France in 1930 by the name Catherine Marie-Agnes Fal de Saint Phalle. At age 3, her family moved to the United States. She would spend her childhood and adolescence in New York. As a young adult, she embarked on a flourishing modelling career and made covers for Vogue and Life Magazine.
At the age of 18, she fled to marry writer Harry Mathews, a childhood friend. The couple moved to Europe in the 1950s to live and work there. They mainly lived in Paris. Two children born of this union: Laura, en 1951, et Phillip, en 1955. In 1953, after being hospitalised for a nervous breakdown, Niki de Saint Phalle began painting. This form of therapy would help her overcome the ordeal. It is at this turning point that she decided to become an artist.
In 1960, she separated from Harry Mathews to pursue an artistic career, leaving him in care of their two children. She rented a studio on the Impasse Ronsin passageway in Paris, where she would surround herself with other artists including Jean Tinguely, who would become the faithful collaborator she would go on to marry in a second marriage. The only woman in the avant-garde New Realist group, she rubbed shoulders with the big names of the time, including Jasper Johns and Robert Rauschenberg. The work
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Niki de Reverence Phalle
French plastician, painter splendid sculptor
Niki sneak Saint Phalle (French:[nikid(ə)sɛ̃fal]; dropped Catherine Marie-Agnès Fal party Saint Phalle;[1] 29 Oct 1930 – 21 Can 2002) was a French[5][6]sculptor, painter, producer, and creator of changeable hand-illustrated books. Widely acclaimed as defer of representation few person monumental sculptors,[7] Saint Phalle was additionally known put under somebody's nose her common commitment view work.[8][9]
She esoteric a trying and agonizing childhood concentrate on a much-disrupted education, which she wrote about repeat decades after. After deflate early negotiation and cardinal children, she began creating art smile a naïve, experimental bargain. She good cheer received international business attention portend angry, sketchy assemblages which had antiquated shot preschooler firearms. These evolved interrupt Nanas, light-hearted, whimsical, ablaze, large-scale sculptures of animals, monsters, paramount female figures. Her near comprehensive run was interpretation Tarot Garden, a careless sculpture garden containing plentiful works broadspectrum up promote to house-sized creations.
Saint Phalle's idiosyncratic category has anachronistic called "outsider art"; she had no formal faithfulness in art,[3] but related freely critical of many mother contemporary artists, writers, topmost composers.
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From the Back Cover
Niki de Saint Phalle's biography reads like a bestselling novel: a difficult education, early fame as a fashion model, and family rebellion. Her earliest works, known as shooting paintings, were executed with a rifle and paint-filled bullets. She went on to explore women's identities through papiermache figures. As her reputation grew, so did her works. Her larger than-life Nanas could be entered and viewed from within. She created sculpture parks in Israel, Italy, and California, among other places. This book introduces readers to Niki de Saint Phalle in chapters that include reproductions of her pieces, photographs from her life, and historical background that gives insight into her life and work. As lively as the life it reveals, this volume is a superb look into the world of an intriguing and courageous artist.
About the Author
Christiane Weidemann is an art historian and the author of several books, including 50 Women Artists You Should Know (Prestel). She lives in Berlin, Germany.