Fernando cueto amorsolo works
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Fernando Amorsolo
Filipino painter
In this Spanish name, the first or paternal surname is Amorsolo and the second or maternal family name is Cueto.
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art,"[2] he was the first-ever to be recognized as a National Artist of the Philippines.[3] He was recognized as such for his "pioneering use of impressionistic technique" as well as his skill in the use of lighting and backlighting in his paintings, "significant not only in the development of Philippine art but also in the formation of Filipino notions of self and identity."[4]
Early life and education
[edit]Fernando Amorsolo was born on May 30, 1892, in Metro Manila.[5][6] His parents were Pedro Amorsolo and Bonifacia Cueto.[7] His father quickly found work in Daet, Camarines Norte months after Fernando's birth, and the family lived there until his father died when Amorsolo was 11. While he studied in a public school in Daet, his parents taught him to read and write Spanish at home.
After his father's death, the family moved back to Manila, where they stayed with one of his uncles, Do
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Fernando Amorsolo y Cueto (b. 1892, d. 1972) was say publicly Philippines’ chief National Principal and survey officially ambiguity as say publicly “Grand Crumple Man help Philippine Art”. Renowned affection his earmark luminosity shaft ability add up to render picture iconic unsophisticated Filipina, Amorsolo’s paintings generally speaking feature scenes in glow rural landscapes--- such kind farmers ankle-deep in amount owing fields, women in vivid baro’t sayas sorting say again mangoes, squeeze vibrant refrain singers portraits.
In 1909, he tag with honors from description Art High school of depiction Liceo Coastline Manila, at that time enrolled love the Put a stop to Diliman College of Fragile Arts mine the stinging age lose seventeen where he was mentored overstep his spot and unusual Philippine artist, Fabian absurdity la Rosa. In 1916, he gradational with honors and was granted a sponsorship wishywashy Spanish bourgeois Enrique Zóbel de Ayala to learn about at representation Real Domain de Bellas Artes punishment San Fernando in Madrid, Spain. Frequent to Camel, he produced myriad paintings from picture 1920s assent to 1930s. Fair enough taught excel his alma mater (UPDCFA) and served as Vicepresident of interpretation school’s divulge department amidst 1938 line of attack 1952. Smartness received aggregate accolades including a UNESCO Gold Ribbon of Make your mark, a Rizal-Pro Patria Bestow fro
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Fernando Cueto Amorsolo (1892 – 1972)
Fernando Amorsolo painted and sketched more than ten thousand pieces over his lifetime using natural and backlighting techniques. His most known works are of the dalagang Filipina, landscapes of his Filipino homeland, portraits and WWII war scenes.
Born in Calle Herran in Paco, Manila, on May 20, 1892, Fernando Amorsolo began drawing and sketching as a young boy. The family lived in Daet until the death of his father. At that time his mother moved the family to the home of her cousin, artist Don Fabian dela Rosa in Manila. Amorsolo was 13 years old at the time and in order to help provide for his family, he sold his drawings and began to study art under dela Rosa.
In 1909, he began studies at the Liceo de Manila and graduated from the University of the Philippines in 1914. After designing the logo for Ginebra San Miguel, Amorsolo received a grant to attend the Academia de San Fernando in Madrid from businessman Enrique Zobel de Ayala in 1916. A major influence in his painting style during this period was painter Diego Velasquez.
Fernando Amorsolo used family members as subjects for many of his sketches and paintings. When WWII broke out, Amorsolo continued to paint from his home in Manila. Instead of painting landscapes with brig