Classical music instrumental beethoven biography
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Biography: Ludwig van Beethoven
1770–1827 •German composer.
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Beethoven timeline: 21 key dates from the life of one of music's most iconic figures
Ludwig van Beethoven (1770–1827) is widely considered one of the greatest composers in Western music history. His life and works mark a critical bridge between the Classical and Romantic eras. Displaying talent from a young age, Beethoven was pushed hard by his father, who hoped he had a child prodidy in the Mozart vein on his hands. As a young man, Beethoven moved to Vienna to study under Haydn: by his late 20s, though, the young composer began losing his hearing, a devastating blow.
Despite this, Beethoven now entered his 'heroic' period, producing bold and innovative works like the Third Symphony (Eroica), the iconic and gripping Fifth Symphony, Piano Concertos Nos. 4 and 5, and the Appassionata Sonata. His music during this time reflected personal struggle and triumph, embodying ideals of heroism and humanity.
Beethoven's later music grew in profundity: works such as the Ninth Symphony (Choral Symphony), with its famous 'Ode to Joy', the Missa Solemnis, and his late string quartets, were revolutionary in both their structure and the depth of emotion they conveyed.
Beethoven left behind a body of work that has inspired countless musicians and composers. His innovation
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Ludwig van Beethoven
Widely regarded as the greatest composer who ever lived, Ludwig van Beethoven dominates a period of musical history as no one else before or since. Rooted in the Classical traditions of Joseph Haydn and Mozart, his art reaches out to encompass the new spirit of humanism and incipient nationalism expressed in the works of Goethe and Friedrich von Schiller, his elder contemporaries in the world of literature; the stringently redefined moral imperatives of Kant; and the ideals of the French Revolution, with its passionate concern for the freedom and dignity of the individual.
He revealed more vividly than any of his predecessors the power of music to convey a philosophy of life without the aid of a spoken text; and in certain of his compositions is to be found the strongest assertion of the human will in all music, if not in all art. Though not himself a Romantic, he became the fountainhead of much that characterized the work of the Romantics who followed him, especially in his ideal of program or illustrative music, which he defined in connection with his Sixth (Pastoral) Symphony as “more an expression of emotion than painting.”
In musical form he was a considerable innovator, widening the scope of sonata, symphony, concerto, and quartet, while in the