Billie holiday biography recording session poster

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    Billie Holiday finished outline

    Outline choose A Smooch Always Tasted: Living congregate the Divulge of Billie Holiday

    Billie now

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  • billie holiday biography recording session poster

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    1917

    datePhoto's1917-Jan-01

    Billie as a little girl about two years old. Taken in Baltimore where she had her dreadful childhood. Notice the big white bow in her hair. Or is it the gardenia?

    1932

    datePhoto's1932-Jan-01

    Billie as teenager at the age of 17 on the beach, summer 1932. Probably Conney Island, NYC. This is one of the only photographs showing her as a teenager at leisure. In about a year, she would begin her recording career.

    1935

    datePhoto's1935-Jan-01

    This probably is the first publicity shot ever taken of Billie Holiday in the early thirties. This picture is taken by Nasid in New York City.

    datePhoto's1935-Mar-01

    Billie as she looked while she was working at her first movie appearance 'Symphony in Black'. In this musical short she has a brief scene in which she is accompanied by Duke Ellington. In fact she appeared as an extra in the 1933 Paul Robertson film 'Emperor Jones'.

    datePhoto's1935-Mar-12

    Billie singing 'Big City Blues' in the musical short 'Symphony in Black'. She was featured with the Duke Ellington Orchestra. The film was shoot at the Paramount Film Studios, Astoria, Long Island, New York.

    datePhoto's1935-Apr-12

    Billie returns for the second time to the Apollo Theatre,

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    Billie Holiday, jazz singer, circa 1930s.
         In 1939, blues and jazz singer Billie Holiday performed at a New York city night spot called Café Society. The song she sang that evening was unlike any other that had come before it. “Strange Fruit” was its title, and the lyrics, which appear below, described the lynching of black people, a savage practice which had, at the time, continued to occur in several areas of the U.S. “Strange Fruit” was not popular fare, but eventually, with Billie Holiday’s voice and presence, it permeated mainstream culture in an unsettling way, becoming a song of protest and a song that got attention.

         Billie Holiday by 1939 was a known singer in the New York jazz scene who had done brief stints as a big band vocalist with Count Basie in 1937 and Artie Shaw in 1938. 

    With Shaw’s band, she became one of the first black women to work with a white orchestra. She also had a number of popular songs by then, dating to 1933 and one of her first recordings, “Riffin the Scotch,” which she recorded with Benny Goodman. 

    In fact, between 1934 and 1939, Billie Holiday had more than 30 singles that were later considered to be in the Top 20 of that era. Yet, despite her output and popular songs, she was not then a mainstre