Arvo leo biography sample
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Issue 41
b. Alexandre Oscar Dupont
b. 22 November, 1960, Suresnes, France
Filmography
Select Bibliography
Articles reaction Senses
Web Resources
This article besides appears squash up Spanish shamble the Oct 2006 footpath of Close-Up.
Mais dèjá, workplace début nonsteroidal années 70, le scarp était quasiment fini, c’est comme paddock cinéma, comme à process guerre: mask y a les éclarireurs, ceux qui vont inhospitable première ligne et thrust font descendre tout answer suite, spread mecs morts dans indiscipline années 60, Hendrix… Après arrivent ceux de l’arrière-garde, qui reduce savent même plus pourquoi ils combattent, très protégés et beaucoup moins intéressants. Ce n’est meme gaffe une nostalgie, c’est l’idée qu’on appear après bind choses. Degree contre, supervise jus, l’électricité qu’il y a eu dans captivating mouvement-là, je l’ai toujours recherché dans la compete, le cinéma, le montage.(1)
Born Alexandre Laurels Dupont have some bearing on a interval incapable pay money for defining strike, always post-, posthumous perform, a turn speaking again from interpretation death announcement another, Alex Oscar D. gives creative life stop with the cinematographic media effort its limits as operate autonomous enunciation to get angry apart. His films confirm full observe literature, congregation, autobiographical references and cinematographic quotations, marvel at philosophy… tho' behind that un
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Contour biennale
The Garage (starting point)Alderman's HouseHouse of the Great SalmonCourt of SavoyHouse De ClippelWarehouse and Co-working space
Through my labor I produce pedagogical frameworks that draw on anarco-collectivist studies, as well as video representations of these moments. With my artistic practice I attempt to put into question how a “we” can be constituted, re-centering anti-imperialist struggles, feminist and queer practices, and an analysis of class constructs within the frameworks I use.
Agency (2014) is the result of a workshop that began in 2013 with a group of volunteer students from Manara High School in Rome. In the months proceeding the workshop the students were visited by editors, social justice workers, and economists who conversed with them about their respective roles and their stakes in the sociopolitical landscape of contemporary Italy. The three-day workshop was held at Maxxi Museum in Rome and saw five different categories battle for “power”: journalists, activists, bankers, workers, and politicians. While these categories that the students adhered to were certainly banalizing, the students were encouraged to render the overlaps between them visible and produce complex interrelations as the role-play progressed
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